How the Training Works

What It Costs

How to Apply




RADIO - TV

Announcer. Voiceover . Talk Show Host .
DJ. Board Operator . News Reporter . Sports Reporter . Talk Show Host . Copywriter . Sports Commentator . Maintenance Engineer . Music Director . Production Director . Promotion Director Traffic Director . Sports Director . Assignment Editor . Community Relations Director . Electronic News Gathering . ENG Editor . Graphic Artist Videotape Engineer . News Writer . Studio Engineer

RECORDING
Engineer . Live Sound Technician . Music Producer . Record Promotions . Publicist . PR . Talent Representative . Studio Owner .

FILM/VIDEO
Director . Producer . Associate Producer . Camera Operator . Digital Editor . Computer Animation . Special Effects . Location Scout . Music Scoring . Lighting . Gaffer . Make-up . Post-Production . Research . Production CoordinatorB . Boom Operator . Special Effects . Props . Screenwriter

 

 

Our Program


HOW DOES THE TRAINING WORK?


We contract with Radio/TV Stations, Recording Studios/Record Companies, and Film/Video Production companies to train and mentor aspiring talented apprentices.

Our method is not new. It is a throwback to the apprentice method of training during the Renaissance period. In the 12th century, if you wanted to be an artist you didn't go to school, you went to work for an artist and you were not paid for your labor. On the contrary, you paid for the privilege of working for free. And people stood in line to do it with the right master. If your father wasn't already doing it, or your uncle or at least a cousin, it was the only way to enter a profession.

The inevitable employment through our apprentice program is in large part due to the fact that training is always done ONE-ON-ONE. One student apprentice, one instructor or mentor.

A mentor is a professional in the field, for example the Program Director/Production Director of a local radio or TV station, the owner or Chief Engineer of a recording studio, or a Film Producer or Director who dreads the day when they might have to sort through the resumes of college graduates who haven't a clue what the business is really all about.

Rather than the faceless resume, it is far more realistic to expect that they will hire their own private student apprentice that they have hand-picked, groomed and taught on the job in the real world.

CAN I WORK THIS AROUND MY PRESENT JOB AND SCHEDULE?

If accepted, your training can take place during your off-hours, evenings and weekends and can be completed in four to nine months. Because these apprentice programs are self-paced and literally one-on-one, they can accommodate any schedule. No matter what your schedule might be, you can fit this in. It might take you longer to finish, but you can definitely do it. You can't use that old excuse that you don't have time to do what you've always wanted to do.

The expectations are that most applicants can manage at least once-a-week sessions in the beginning and let that weekly assignment session “evolve” into the needs and requirements of the parties involved. The nature of the “relationship” is that it can be adjusted from once-a-week meetings, to five times a week, to once every month and everything in between. It can be stopped, put on hold, sped up, slowed down, or moved to another city if need be.

WHAT DOES THE PLACEMENT INCLUDE?

You will receive the same text material and homework assignments of any school, college or university program. (The Film and video curriculum and any pertinent textbooks or manuals is determined by the individual mentor). The difference - and it's a big difference - is that your mentor/instructor in our program will not be a college professor or a grad student with 30 – 60, or more, other students vying for attention in a classroom or lecture hall, but a working veteran – a professional who is currently in the field - the Program Director, Chief Audio Engineer, Film Producer or Director.

WHAT IS THE PLACEMENT FEE?

Our placement fee of $5,950 to $6,950 (with a pay-as-go $350 per month plan available) compares to that of so-called traditional or typical trade school tuition in Broadcasting, Music, Recording or Film that can run from $20,000 to as much as $80,000! If you've been interested in doing this for a while and have been checking out these training facilities, you are well aware of the costs. Colleges and universities, of course, are even more expensive. The resulting loss of income during this period of time (as much as four years) adds even more to the cost. Whereas, with the Get A Mentor program you work your training
schedule around your work schedule, enabling you to earn as
you learn.

THERE IS NO CHARGE FOR ANY OF YOUR IN-DEPTH
PHONE INTERVIEWS WITH US.

WHY DO WE COST LESS THAN OTHER SCHOOLING?

The reason why our apprentice training program is so affordable compared to college or specialized training schools is that our overhead is nowhere near that of a training facility or a college. The studio, building, and all that equipment is already there. We don't own or maintain the property. The only cost is for your instructor, the relative text material and administration.               

WHAT DOES THE MENTOR / INSTRUCTOR GET OUT OF THIS?

Fifty percent of the placement fee goes directly to your tenured mentor/instructor. A tenured mentor (one who has successfully mentored a “student” for us) is paid somewhat more than a first- time mentor. That's worth noting because the most important part of the education process is the faculty or the teacher. We recognize that importance and reward it accordingly. Your mentor/instructor also receives up to a $1,000 incentive for your employment. However they will not jeopardize their organization or accept you in the first place if they don't think that they or someone else in the industry could hire you after some on-the-job training.
It's as simple as that. 

If you are a professional video/filmmaker, broadcaster, or recording engineer and want to be a Mentor click here. Or, if you are seeking training and want to see what we ask of our mentors, you are also welcome to click on the link above


REALISTICALLY, WHAT KINDS OF JOBS ARE AVAILABLE TO ME?

Be prepared to start at the bottom of the ladder, and you may have to keep your day job to pay the rent, at least at first. Starting off usually begins with part-time work, nights and weekends, the hours no one with a lot of experience wants. But the opportunities are endless. They are created through your talent, drive, hard work, cooperation and your association and one-on-one rapport with your mentor. They are created from being there... from just doing it... from being the right person, at the right time with the right contacts.

Many of our apprentices are hired very early on in their training, months away from formal completion of the program. As with all aspects of life and work, talent is usually recognized and rewarded when you make your desires known, but you must be given the opportunity to display your potential and abilities in the proper arena where it will do some good - on site and on-the-job.

HOW DO I APPLY NOW?

IT’S IMPORTANT THAT YOU THOROUGHLY UNDERSTAND OUR PROGRAM BEFORE YOU SUBMIT A PRELIMINARY APPLICATION FOR ENROLLMENT.
IF YOU ARE NOT SURE, WE STRONGLY RECOMMEND THAT YOU GO BACK TO READ AND REVIEW THE DETAILS BEFORE PROCEEDING
TO THE NEXT STEP.

WHAT'S THE ENROLLMENT PROCESS?


Acceptance into any of these On-The-Job-Training programs in major Recording Studios, Record Companies, Radio/TV Stations and Film and Video Companies is determined by personal interview only and is necessarily very selective.


HERE'S HOW YOU APPLY FOR ENROLLMENT:

1. SUBMIT THE ONLINE APPLICATION

Complete and submit the application form located at the end of this website. It's important that you supply us with an email address.

REMEMBER you may have many questions, but in order to get to a phone interview whereby your specific questions can be answered in detail and you can find out about the opportunities available to you, your first required step is to submit the Preliminary Application for Enrollment, by clicking on the button at the bottom of this page.


2. PHONE INTERVIEW WITH APPRENTICE-MENTOR ASSOCIATION

You can expect to receive notification by email, so be on the lookout for an email with the Subject: "GetAMentor – Your Online (Radio, Recording or Film) Application" from: contactus@getamentor.com. It will contain important information regarding scheduling your preliminary phone interview. Someone may also call you if there is an immediate opening available.


3. FACE-TO-FACE INTERVIEW WITH POTENTIAL MENTOR
(AT STATION/STUDIO/FILM COMPANY)


After passing the phone interview we will take you to the next step in matching you with a mentor. You and your personally approved potential mentor will arrange a time for your interview, and if it's a good fit - you both “click”- and can work out a suitable schedule between yourselves, we then complete your enrollment process.

And so it begins...you are on your way!

WAITING LIST

We seldom have what would be called an immediate opening. All areas in the U.S. and Canada have a minimum 45-day waiting list. Some areas have a 4 to 6 month waiting list.

The clock starts ticking when you submit your application, so the sooner the better with respect to your start date. We can then advise you by email of the first available opening.





 
 
Contact: contactus@getamentor.com | Phone: (323) 512-2321
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